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Showing posts with label Lyndi Alexander. Show all posts
Showing posts with label Lyndi Alexander. Show all posts

I read the most delightful story this morning--it's called England Expects, and it came out on Everyday Fiction, a paying market for short-shorts. Less than 1,000 words about a well-loved pub patron, and it sparked a huge argument/discussion/brouhaha over creating characters who embody ethnic slurs. Go check it out. I'll wait. The comments will take longer than the story.

Photo by Howard G
Okay, so I'm not Irish.

Maybe that makes a difference, maybe it doesn't.

But I read the story as it was offered, the tale of a man who, for whatever reason, spent his money for alcohol and was well known for it, and what happened to him.

The onslaught of comments, however, troubled me, especially when it came to the point that the administrator went in and altered a previously-approved story to excise a reference some commenters took as offensive.

Are we really so fragile?

These days so much is offensive, intentionally or otherwise. There is much commentary about free speech and who's allowed to say what and whether kneeling at a football game constitutes an offense and who can gather and who can't. Is what people say in locker rooms really all right to ignore? or is it absolutely equivalent with what happens in Hollywood moguls' offices?

I understand--and agree--that lines can be crossed. Using a caricature of a Native American, i.e., appropriating cultural symbols, for a sports team? Wrong. Calling a person with diminished capacity a "retard"? Right out.

But in my opinion, especially in writing, sometimes what you see is what you get. In my WINDMILLS series  the character of Terry Johnson is a young black man from the city. He speaks in a certain way. He has been in juvie. He took the fall for a gang member to save his family.  I don't think this makes him a stereotype. Not all black people in the story are like him. He does come, as do other real people in the world, from this place, and from this place he teaches others (whites who view him as that stereotype) the truth (without having to be a magical Negro).

Same in this story. The man is, what he is. Yes, he's Irish. Yes, he drinks to excess. It's because of this fact that the story works. But I don't understand how this, or calling him an "Irish pisshead" makes every Irish person a drinker to excess. It says that THIS man is. Period.

Do we all have the right to collectively attack any piece of work because it might have offended some people and force editorial/artistic change? Should publishers second guess themselves when they get a few complaints? Can't we just take each piece and characterization for what it is?

I'd be interested in hearing thoughts. Feel free.

Yes, folks, NaNoWriMo is just around the corner. We're all getting out outlines, plot bunnies and other assorted necessaries in line before the big day.

I'm writing a romantic suspense set in the Montana forests with ecotage! And pagans! And Native Americans!  (no elves, tho....that's another series.)

So stay tuned...you can check my progress at the site under my nickname babs1e....wish me luck!

It's almost time for Context 25! This is a wonderful science fiction and fantasy con in Columbus, Ohio where in additional to panels on a variety of subjects, gaming sessions and filk concerts, attendees can (for a minimal fee) take writing workshops provided by a number of multi-published writers and professors from great writing schools like Seton Hill.

This year. I'll be teaching a workshop on Saturday morning about writing diverse characters:

(Saturday, September 29th, 10am-noon)
The world is full of different ethnicities and cultural groups; unfortunately, most writers tend to only write about people like themselves. Others who want to include
This workshop will use exercises like those in Nisi Shawl and Cynthia Ward's Writing the Other and other sources to expand your thinking about using characters of other race/class/ethnicity in your stories. We’ll look at the power of first impression—what you glean from your first sight of someone—which may or may not truly give you their essence. Participants should bring pen and paper to work through some simple but eye-opening "What If?" questions that will show you how to expand your story's diversity. Finally, we’ll conduct an exercise designed to teach you how to convey the diverse uniqueness of your characters in subtle ways—i.e., without having Fred say, “Hi, John, this is my black friend Mike.”
The two-hour workshop costs only $20 and leaves you plenty of time the rest of the day for classes with Maria Snyder, Tim Esaias and Linnea Sinclair, as well as a multitude of panels.
The workshops are filling up, so get on over to the site and sign up!
You'll also be able to be one of the first to get a print edition hot off the press of my new book LOVE ME, KISS ME, KILL ME from Hydra Publications, which will be released at the con!
For those who are reluctant to attend conferences because you feel overwhelmed, I thoroughly recommend this one. The people are nice, the workshops intimate, and there's a very welcoming vibe. Definitely something for everyone here--you could attend the con to get your fill of gaming play and talk, or just take writing workshops the whole time, at an extremely reasonable cost. Tim Esaias of Seton Hill recently pointed out that his workshops are essential the same module he teaches at the University--but much less expensive. Don't miss it!
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I've got to say, a lot of times I feel like I'm all alone on my writer's path.

Okay, most writers feel like they labor in a solitary profession, and to some extent that's true. But this is more than that.

I belong to a couple wonderful critique groups through Pennwriters, but because of where I am on my particular path, I have so many issues/problems/questions that they can't help me with, most of them having yet to be published. Other writers in Pennwriters, of course, are published and might have some advice, but they're traditionally published, so they tend to look down on the way I've chosen--indie publishers.

I'm a little fortunate, in that I'm not one of the "self-published." (see today's post from Kristen Lamb on this always-controversial subject.) I have contracts and royalty agreements for every one of my novels, with varying levels of support from the different small press publishers. And I have six novels coming out THIS YEAR. Six. It's crazy. I'm trying to write and promote all at the same time. I just finished a trip across the country for research and booksignings in person during the same period I'm running a 38-stop online blog tour. I've just turned in one contracted book for next year, I'm writing another, I have edits waiting on my book coming out in September and I have another set of edits due by November 1.

Oh, and there's the day job. And the family. And the bills, etc. Like everyone else.

Granted, I wanted to be a published writer. Now I am. I have no grounds to complain, and this isn't really a complaint at all, but just a cry of despair in mid-journey, feeling overwhelmed.

Thanks to Red Tash for this blog today, which really made me feel a little better. I am alone, but there are people out there who understand what I'm going through. You came along at just the right time, friend. :)

This is an article that appeared in our local paper--something very similar appeared in the Peru Tribune a month or so ago. But because neither made their stories available on the Web, I wanted to share them with you here. I was pretty tickled!


Most authors are excited to publish one novel, or maybe two in a lifetime. Writer Barbara Mountjoy will see six novels published this year, two of them this month.  

Mountjoy, a family law attorney in Meadville, Pennsylvania and mother of seven, is pleased to be a working novelist at last.

“This is definitely my life’s dream come true,” she said. “I’ve written legal briefs, I’ve written articles and reviews, but seeing my novels come to reality makes all the work worthwhile.”

 Because she still practices law, she uses pseudonyms for her fiction work, Lyndi Alexander for her fantasy and science fiction stories, and Alana Lorens for her romances and women’s fiction.

 “If I were writing legal thrillers, like John Grisham, I might use my professional name, but when I’m writing about elves, space battles and other fantastic stories, it felt right to create another identity.”

She wrote her first novel at the age of fourteen, but didn’t receive a contract for one to be published until 2010. Plenty of rejections in the intervening years discouraged her from time to time, but she persevered, knowing there was a market out there for her work, and readers who would be delighted by her words. The five-star reviews she’s received for the novels already out show her determination has paid off.

 June brings the romantic suspense novel CONVICTION OF THE HEART from the Wild Rose Press, the first in the Pittsburgh Lady Lawyers series, a book that draws heavily on her twenty-five years’ experience as a family law attorney to set up the story about a lawyer who takes on a case involving domestic violence and politics, nearly losing her client’s life and her own in the process.

 Then in July, SECOND CHANCES, a women’s fiction novel about a lawyer who gets laid off during the economy downturn, and recovers her life with the help of a young Iraq war veteran with cancer. The two help each other cope with the tragedies impacting their lives, in this second volume in the Pittsburgh Lady Lawyers series, released by Zumaya Publications.

 “Lawyers often are exciting heroines for novels, and these two are no different. They hold a position in society that hangs between a seat of power and a genuine vulnerability,” Mountjoy said. “Both stories involve a real sense of danger, generated from the cases the lawyer takes on. In the family law arena, the stakes for your clients are so high that emotions and trigger points are quite volatile.”

Mountjoy has been a published writer for more than thirty-five years, publishing her first paid piece in the Peru Tribune in 1975. She completed a novel as her senior honors thesis at Kent State University in 1977, and went on to work as an editor and reporter at the South Dade News Leader in Homestead, Florida for several years before law school at the University of Miami. Since then, she’s practiced law in Florida and Pennsylvania, but her first love has always been writing.

Her urban fantasy books, the Clan Elves of the Bitterroot series, are set in the forests just north of Missoula, Montana, and her first science fiction novel, TRIAD, was released in February of this year.

 There’s no indication that the prolific writer will slow down any time soon. “Now that I’ve finally hit my stride, I don’t intend to let up. Not as long as stories are still coming to my fingertips!”

 Still coming this year are LOVE ME, KISS ME, KILL ME, a horror story with vampires coming in August, and contemporary romance THAT GIRL’S THE ONE I LOVE in September.

Scheduled for 2013 are the first two books in a post-apocalyptic young adult series, THE COLOR OF FEAR—PLAGUE, and THE COLOR OF FEAR—SURVIVORS, and also the fourth book in the Clan Elves series, THE ELF GUARDIAN.  She has also just signed a contract for a contemporary romance with Desert Breeze Publications, BY ANY OTHER NAME, that will be released in March 2013 as well.

 For more information and updates, see Mountjoy’s writer’s websites at http://clanelvesofthebitterroot.com, http://lyndialexander.wordpress.com and http://alanalorens.com


At Science Fiction Fantasy Saturday  you have the chance to read snippets from works in progress, contracted works, as well as published novella and novels from a variety of authors... Check it out each Saturday!

This week I've included a snippet from the soon-to-be-released novel TRIAD, which tells the story of three women commanders who are in a battle over a certain sector of space just before all of them are attacked by an outside force of space pirates. The attack makes them take a new look at their relationships--some may become closer, and others might be pushed to the edge of assassination...

 Here's my piece for this week:


Stefan, dressed in gaudy teal jacket and slacks, piloted the vessel while Julian took the second seat, wearing a simple gray suit as befitted a male servant. Catava waited in the cabin behind them, dressed in the filmy peach-toned slave’s garb Stefan had chosen. A short fitted piece trimmed in gold barely covered her breasts, trailing a gold chain to a short skirt she kept tugging under her. She also wore thin-corded gold sandals and gold ribbons in her hair, wrapped into a psyche knot.
      Hardly abashed, he coached her briefly on the comportment of female slaves, how they didn’t speak until they were asked to, and how they were no better than animals with natural urges. “You’re expected to be hot,” he said. “A slave covets the touch of men. So in situations where you don’t know what to do, a seductive look is as good as anything.”
      She studied him a long moment. “Do you often sell women into slavery?"
      He twitched as her words hit him like an open hand.
   


 For more information on this and other books by Lyndi Alexander, see her website http://clanelvesofthebitterroot.com , or the Dragonfly Publishing site: http://www.dragonflypubs.com/excerpts/triad.html

I'm sharing the new cover of my first science fiction book, TRIAD, coming out this spring from Dragonfly Publishing:


What do you think???  For an excerpt, check out the DFP page--

Come see Lyndi go through her paces--and pages--at the blog of Kellie Kamryn.  today. (Don't worry, my post is white bread; you can safely click through the content warning!!) Kellie has a great romance series based on gymnastics coming out in the spring, which just goes to show what happens when you write what you know. Thanks, Kellie! And come see Kellie's post at the Clan Elves homepage, too! I admire the way she's used her painful breakup to inspire positive writing experiences.

Yes, yes, I know I haven’t posted here as often as I’d like–hopefully you’ve missed me! The good news is I’ve been doing substantial amoounts of writing-related work, which is a good thing! The latest venture is this little bit of video, a book trailer for my first published novel, The Elf Queen. A book trailer is supposed to be like a movie trailer, giving enough of the story to entice folk to come see/read my book. (and hopefully the rest of the series!)




So what did you think? Is it exciting? Suspenseful? Must you go buy the book at Amazon right now? Okay, if you must. Pssst: pass it on… :)


The only excuse I have for not writing in this blog regularly is that I have been writing regularly elsewhere.

And it's true. Most importantly I have been working on The Elf Child, the sequel to this summer's The Elf Queen. Just a few days till the deadline for turning it in, and I believe in keeping my word to my publisher. But that's not all.

I received not only the contract for The Elf Child while I was away (that's the next part of the explanation--stay tuned) but also one for the third book, The Elf Mage. And THEN, I received a contract for the manuscript called Second Chances, a romantic women's fiction novel set in Pittsburgh, from Zumaya Publications. And THEN, I received an offer for my psychic vampire novel, Love Me, Touch Me, Kill Me, a NaNovel from last year, which I've now accepted.

So that's been a pretty heady run, to go from not being a novelist to having five novels in or on their way to print in five months.

In September, though, I did some different writing, at the Immersion Master Class with Margie Lawson in Colorado. I took the book of my heart, the one I've submitted all round without much success, and we started working on its next revision with Margie's expert assistance. Five days of intense workshop teaching with Margie and six other sister writers gave me a wonderful start and direction on how to polish this story into a diamond. While I was in Colorado, the picture above shows my workspace. The view? Mountains everywhere. We ate at the Dushanbe Teahouse, where I picked up some lovely chakra-stimulating zen tea, and we worked. And worked. While Captain Tom did most of the cooking and heavy lifting. (Thanks, Captain Tom!!) I highly recommend this program for anyone who's ready to take their work from "good" to "New York Times" level.

Then of course, there's the adventure of book promotion. Oh yes, my children, we all thought writing the book was the hard part! Not so, yet far otherwise. I've done two book signings, garnered half a dozen professional reviews, as well as a handful on Amazon (remember, if you read the book, you should stop by Amazon and leave a few paragraphs about it!!), done a TV interview, developed a blog exchange at the Clan Elves site to cross-promote with other writers, and now I'm settling in for the winter, wanting a few more in-person appearances to sell for Christmas gifts, but also looking for fantasy blogs and lists to join in the discussion and share the creative process.

All in all, I think this year is the tipping point; I've definitely become a writer. (E assures me I've been one for years, but somehow holding the book in your hands is much more solid.) To all of you out there looking to join me, don't give up your dream. Just keep working at it, and soon you'll find your niche too.


The Clan Elves of the Bitterroot, that is. Available for the enjoyment of the reading public.

Come by their new home on the Web at http://www.clanelvesofthebitterroot.com/ and find out where all the latest book signings, etc. are going to take place. Suggest a place for a book signing, if you'd like to meet Lyndi Alexander in person. :)

Book two is well into existence, and the political intrigue and schemes just don't stop. Clearly elves have associated with humans for much too long, if they've picked up all our bad habits. Or is it the other way around?