One Writer's Life -- Barbara Mountjoy

I read the most delightful story this morning--it's called England Expects, and it came out on Everyday Fiction, a paying market for short-shorts. Less than 1,000 words about a well-loved pub patron, and it sparked a huge argument/discussion/brouhaha over creating characters who embody ethnic slurs. Go check it out. I'll wait. The comments will take longer than the story.

Photo by Howard G

Okay, so I'm not Irish.

Maybe that makes a difference, maybe it doesn't.

But I read the story as it was offered, the tale of a man who, for whatever reason, spent his money for alcohol and was well known for it, and what happened to him.

The onslaught of comments, however, troubled me, especially when it came to the point that the administrator went in and altered a previously-approved story to excise a reference some commenters took as offensive.

Are we really so fragile?

These days so much is offensive, intentionally or otherwise. There is much commentary about free speech and who's allowed to say what and whether kneeling at a football game constitutes an offense and who can gather and who can't. Is what people say in locker rooms really all right to ignore? or is it absolutely equivalent with what happens in Hollywood moguls' offices?

I understand--and agree--that lines can be crossed. Using a caricature of a Native American, i.e., appropriating cultural symbols, for a sports team? Wrong. Calling a person with diminished capacity a "retard"? Right out.

But in my opinion, especially in writing, sometimes what you see is what you get. In my WINDMILLS series  the character of Terry Johnson is a young black man from the city. He speaks in a certain way. He has been in juvie. He took the fall for a gang member to save his family.  I don't think this makes him a stereotype. Not all black people in the story are like him. He does come, as do other real people in the world, from this place, and from this place he teaches others (whites who view him as that stereotype) the truth (without having to be a magical Negro).

Same in this story. The man is, what he is. Yes, he's Irish. Yes, he drinks to excess. It's because of this fact that the story works. But I don't understand how this, or calling him an "Irish pisshead" makes every Irish person a drinker to excess. It says that THIS man is. Period.

Do we all have the right to collectively attack any piece of work because it might have offended some people and force editorial/artistic change? Should publishers second guess themselves when they get a few complaints? Can't we just take each piece and characterization for what it is?

I'd be interested in hearing thoughts. Feel free.

Meadville Market House, Second Floor

A Workshop Presented by the Meadville Council on the Arts No matter what genre you write in, good fiction comes from the basics. Multi-published and award-winning authors Babs Mountjoy and Kathy Otten, will lead this workshop, full of discussion, models, exercises and fun, too! Sessions will include— INTRO TO CREATIVE FICTION-WRITING - Bring a short piece to share, and we'll learn each other's writing inspirations. DIALOGUE- We'll look not only at how to write believable conversations, but how they enhance your story. INCREASING CONFLICT AND TENSION IN YOUR STORY- Do you want to write a story your reader can't put down? We'll examine what conflict is and how it drives the story. DIVERSITY IN YOUR FICTION – We’ll use exercises like those in Nisi Shawl and Cynthia Ward's, Writing the Other, and other sources to expand your thinking about using characters of other race/class/ethnicity in your stories. PACKING AN EMOTIONAL PUNCH - We'll talk about ways to show how a character feels through visceral reaction and fresh description that will ramp up your reader's investment in the story. WEAVING AN ALTERNATIVE SETTING INTO YOUR STORY- Learn how transport your readers to another era or alternate world without sounding like a text book. Classes will be held on Tuesdays, At the Meadville Market House March 26th through April 30th 2013 6:00 pm – 8:00 pm Members-$60.00 Non-members $65.00 For more information contact Meadville Council on the Arts Phone & Fax (814)336-5051 Or to reserve and mail in your payment before the limited seats are gone, send to: Meadville Council on the Arts P.O.Box 337 Meadville PA 16335 Questions? artscouncil@zoominternet.net

Yes, folks, NaNoWriMo is just around the corner. We're all getting out outlines, plot bunnies and other assorted necessaries in line before the big day.

I'm writing a romantic suspense set in the Montana forests with ecotage! And pagans! And Native Americans!  (no elves, tho....that's another series.)

So stay tuned...you can check my progress at the site under my nickname babs1e....wish me luck!

I just got the word that my class is coming up from Pennwriters-- if you're a beginning/indie author looking for tips and tricks on self-promoting, with lots of links to more reading, check this out!


Promotional Basics
with Babs Mountjoy

Date
August 3 – August 30, 2012

Pennwriter members' cost $79; non-members $89

 Limited class size. Early bird prices end soon.

Course Description
Congratulations! Your work has just been published. Now comes the hard part.
Getting your audience to find your work, buy it, and share it.
Most publishers now want to know your “platform.” What website, blog, or other publicity do you use to sell and promote you work? Such tools are part of the package you are often expected to present as a showcase for your laboriously forged words.
Online and social media are now your best means of broadcasting your efforts and reaching your target audience. Pennwriters upcoming online course, Promotional Basics, will teach you the arts of publicity and marketing, showing you standard techniques and modern tricks to make your release a success.
Learn the four most important things to include in your website. Discover how to get your work noticed on and offline. Tour successful blogs, learn to make your own, and understand why they are a great way to spread your name. Find out what freebies and giveaways attract your readers and followers. Plan ahead for compelling personal appearances and book signings that feature more than just a chair behind a table.
Plus, as a free bonus, receive a list of 50 sites where you can submit you books for review.
Boost your sales and traffic by learning proven promotional methods!
About the Instructor
Barbara “Babs” Mountjoy has written since she was a little girl, unable to restrain the stories that percolated through her fingers onto her keyboard – or, back then, onto the old Royal typewriter. Babs has been a published author for more than thirty-five years, with a number of publications under her belt.

Her non-fiction book, 101 LITTLE INSTRUCTIONS FOR SURVIVING YOUR DIVORCE, was published by Impact Publishers in 1999. Her first novel, THE ELF QUEEN, was released under the pen name Lyndi Alexander in 2010. THE ELF QUEEN launched her Clan Elves of the Bitterroot series, under which the second and third titles, THE ELF CHILD and THE ELF MAGE, released in 2011 and 2012.

Wild Rose Press released her romantic suspense novels, SECRETS IN THE SAND, in 2011, and, CONVICTION OF THE HEART, in June 2012. Will Rose Press will also release Babs’ THAT GIRL’S THE ONE I LOVE in September 2012. Zumaya Publications published her women’s fiction title, SECOND CHANCES, in July 2012.

Also in September 2012, Hydra Publications will publish LOVE ME, KISS ME, KILL ME, Babs’ upcoming vampire story.

Babs is a contributor to two CUP OF COMFORT anthologies. She blogs about autism, writing and life at awalkabout.wordpress.com, and spent seven years of her career as a news reporter and editor in South Florida. Her romances/womens fiction books are published under the pen name Alana Lorens, and her fantasy/sci-fi under the pen name Lyndi Alexander. For more information on Babs Mountjoy or this course, email her at bmountjoy@zoominternet.net This e-mail address is being protected from spambots. You need JavaScript enabled to view it .

I'm sharing the new cover of my first science fiction book, TRIAD, coming out this spring from Dragonfly Publishing:

What do you think???  For an excerpt, check out the DFP page--

All my life, I've wanted to be a novelist. From the time I sat in the window seat of an Indiana farmhouse and wrote a blow by blow description of my cat chasing down and eating a mouse, other people have commented on my work and how they liked it.

In a few short months, I'll be a novelist. Not a newspaper reporter; that I did in the 1980s in south Florida. I interviewed governors, senators, drug dealers and won awards for my series a Day in the Life. In 1998, I had a book on divorce published called 101 Little Instructions for Surviving Your Divorce, a book with thought-provoking statements about mental health and wellness during the process. I didn't know very much about what an author was expected to do to promote a book in those days, though I sent out copies and did some radio interviews.

Since then, I've had many other pieces published, online and off, newspapers, magazines, even two stories in the Cup of Comfort Volumes for Divorced Women and Adoptive Families. Most of those stories promoted themselves for as far as they went. I didn't have to do much.

But I've come to the conclusion that after twenty years of really pushing at it, trying to score that agent and hit that big sale just isn't going to happen for me at this time. I want people to read my writing. I could just post it all here. But realistically, I'd like to make some money off it too.

In looking at small press, I've met several editors who deal right with the authors, no go-between needed, and even discouraged! Marketing support, suggestions for promotion are shared, and we get the chance to one-on-one with people who share our enthusiasm. It's wonderful. It's creative. It's....time consuming....

At the same time, consider, that at this moment I have five manuscripts IN THE HANDS of an editor.

Not lying around some agent's slush pile. Not waiting for some spring intern to find that I have no references to fashionable shoes in chapter three, so the entire book should be tossed. Not waiting for the interminable back and forth of mail exchanges. I am blessed and fortunate, and by using this, my best shot at contact with a live person, I have in fact been offered and signed a contract for my first novel. I have two unique promotion ideas that we'll be fleshing out as we're closer to the book release in September, in addition to all the items the publisher has already created.

It's happening. Along with her request for the rest of the series to be known as The Clan Elves of the Bitterroot. But I'm still trying to connect with other editors, find homes for my other "children." It's happening. I have no time to sleep any more. *L* But maybe I'll catch up on that later, between stops in the book tour, hmm?

I've gotten quite a bit of curious questionry about my new publisher. Who is it? What do they pay? How do you get books? people ask. Good questions, but as Jane Friedman of Writer's Digest points out on a recent blog, perhaps irrelevant.

Jane says:

When I started working in publishing (1998), the epic dream of writers was to get their book published, have it win awards or hit the bestseller list, then allow that success (to) sustain a lifetime of writing more great books.

That is still the Big Dream.

Yet this feels more and more like an archaic dream—not because people will stop reading, or because the book form will disappear, but that this path:

(1) may close off entirely for new writers, depending on the future of traditional publishing

(2) may not present sufficient earnings (if it ever did!)

(3) envisions the book as the end result and ultimate achievement of a writer's effort.

What does this mean for me?

If I were Stephen King, my books would be available online at Barnes and Noble, Amazon, at the publisher's website, and all the other ordering sites.

I'm not Stephen King. But when The Elf Queen comes out this fall, you, the reader, will be able to order it online at Barnes and Noble, Amazon, at the publisher's website, and all the other ordering sites.

You will be able to order it in hardback, paperback or for your favorite e-reader like the Kindle, Sony, Ipad and more.

So what's the difference to the average reader?

Sure, I won't get the end cap at the local big book store, and no one will take out an ad in the New York Times. But the book will be featured on my blog and probably a dozen others, hit the fantasy blog tours, be Tweeted around the 'Net, get a Facebook page and might reach the same number of people looking to read a fantasy book this weekend. At royalties between 10 and 25%, depending on the sale format.

After people read The Elf Queen, we've already got The Elf King in the planning stages to follow, the publisher and I. The third book in the series is more nebulous but on the table for discussion.

My book will be as available to anyone who wants to read it as any other author. I'll be as responsible for the success and sales as most authors today, as it takes someone of the cachet of Stephen King to have the publishers do the publicity for him. Most authors arrange their own tours, signings and promotional events, even when they're traditionally published.

I'm prepared for the work. And you bet I'm ready for the success.